Autriche : Un consulat honoraire marocain inauguré en Carinthie    Tarfaya : la lagune de Naïla, un havre prisé des camping-caristes étrangers    Barid Al-Maghrib émet un timbre-poste pour la 58è session de la CEA    Stade de Benslimane : un marché à 3,7 MMDH confié à SGTM et TGCC    Macky Sall maintient sa candidature au poste de secrétaire général de l'ONU    Morocco honored guest at the Summit of African, Caribbean, and Pacific States    Politique : Le RNI donne l'opportunité aux jeunes d'assumer leurs responsabilités    Hampton by Hilton s'implante à Ben Guerir    Entrepreneuriat. Près de 7.900 créations en un mois    Tangier police arrest man for inciting hatred and promoting drug use on social media    Diaspo #434 : En France, Amine Le Conquérant se réapproprie l'Histoire des châteaux    Un nul porteur d'enseignements : ouahbi fait le point après le match face à l'Equateur    L'économie chinoise renforce sa position grâce à un important excédent des transactions extérieures    Géopolitique : face aux chocs, la céréaliculture française cherche sa résilience    Bachir Mustapha Sayed se rapproche de la tête du Polisario    Cinq blessés suite à la chute de débris d'un missile balistique à Abou Dhabi    Paris : enquête après un attentat déjoué devant le siège de Bank of America    Pétrole vénézuélien : les majors tentées mais prudentes    Royaume-Uni : Starmer «désireux» de limiter certaines fonctionnalités addictives des réseaux sociaux    Yassine Oukacha succède à Chouki à la tête du groupe parlementaire du RNI    Lions de l'Atlas : Yassine Bounou envoie un message direct à Thiago Pitarch    Lions de l'Atlas : la grinta a cruellement fait défaut face à l'Équateur    Maroc-Sénégal : offensive juridique à la FIFA contre une célébration au Stade de France    Maroc–Équateur : Hakimi tempère après le nul et se projette déjà vers le Mondial    Face au Maroc, « champion d'Afrique et armé de stars », Beccacece savoure le nul    Lions de l'Atlas : quand les penalties deviennent un cauchemar    Grand Prix Hassan II : quatre décennies de tennis d'exception    Nasser Bourita représente Sa Majesté le Roi au 11e Sommet de l'OEACP à Malabo    USFP : Lachgar alerte sur une pression accrue sur le pouvoir d'achat des ménages    Morocco draws 1-1 with Ecuador in friendly as Mohamed Ouahbi debuts as coach    Polluants éternels : les experts européens préconisent une "large restriction"    Climat extrême : face au changement climatique, le Maroc accélère sa révolution météorologique    HPS : un RNPG de 106 MDH en 2025, en hausse de 40,5%    France : Gims mis en examen pour blanchiment aggravé    Journée mondiale du Théâtre : Willem Dafoe rappelle la puissance unique de la scène    Musée national de Rabat : "Let's Play – Réenchanter le monde", quand la photographie invite à rêver    Le Sénégal réussi à retirer le soutien de l'UA à la candidature de Macky Sall à l'ONU    The Kingdom of Morocco and the Republic of Costa Rica reaffirmed on Friday in Rabat their commitment to giving their bilateral relations new momentum based on structured political dialogue and strengthened cooperation.    Ifquirn : Du Maroc à la France, les chibanis se racontent à Gennevilliers    Madagascar forme son nouveau gouvernement    Sahara marocain : Le Costa Rica considère "l'autonomie sous souveraineté marocaine" comme "la solution la plus réalisable"    Le Maroc prolonge son partenariat avec l'UE pour la recherche et l'innovation en Méditerranée    Chutes de neige et averses orageuses accompagnées de grêle, vendredi et samedi, dans plusieurs provinces    Akdital : un chiffre d'affaires de 4,4 milliards de DH en 2025    « K1 », la nouvelle série policière sur 2M, dès le 31 mars 2026    Will Smith séduit par l'Angola et prêt à y tourner « Bad Boys »    La Chine envoie un nouveau satellite test dans l'espace    Rabat : cycle de conférences pour repenser les féminismes depuis une approche décoloniale    







Merci d'avoir signalé!
Cette image sera automatiquement bloquée après qu'elle soit signalée par plusieurs personnes.



Safaa Erruas, the unique way in which a Moroccan artist voices feelings and emotions
Publié dans Yabiladi le 04 - 12 - 2019

Safaa Erruas is a globally recognized artist; known for her awe-inspiring installations and drawings that have earned her countless awards and praise. Erruas' inspiration stems from the personal as well as issues that concern all humanity; resulting in creations that are relevant and evoke deep reflection and emotion.
Growing up in Tétouan, a city vibrant with culture and home to the Fine Arts Institute of Tétouan, Erruas has spent her life surrounded by art. She recalls loving making crafts as a child and at the early age of seven, already being very methodical and having a sensitivity to materials.
At the age of fourteen, she began going to the Fine Arts Institute during her free time to learn about art history and drawing. When Erruas graduated high school, she began studying science and the University of Science in Tétouan. After quickly realizing that science wasn't her calling, she abandoned her studies at the university and to apply for the Fine Arts Institute. Erruas' time in art school shaped her as an artist. It led her to discover the means, medium, and method that she felt she could best express herself.

«When I was studying at the science university, I was receiving a lot of information, but it never felt like this information was just for me», she told Yabiladi. «With fine arts, it was completely different. Even if I didn't agree with what I was learning, it was still interesting for me because it helped me to know what I didn't like (…) I found my identity as an artist at the Fine Arts Institute».
The power of white
Right out of university, Erruas started working independently and participating in residencies and exhibitions around the globe. Her usage of the color white, as well as other distinct materials in her artwork, has attracted attention.
However, though the absence of color in her pieces has become a point of commentary, her reasoning is quite simple. «It's become very natural for me to work only with white. I don't want to complicate the situation», she explained. Erruas believes that white and its varying hues can convey the same feelings associated with other colors. «I don't force myself to remain working on white color. I may change. I feel free and comfortable with white right now. I don't need colors to express myself», she stated.
Erruas's work is also characterized by her usage of materials such as needles, razor blades, and fiberglass, which help her to communicate the feelings she hopes to evoke in her pieces.
«Elements take on a different dimension when we take them outside their function. Their value is different. There is a connotation of what is the function of needles and the feeling it communicates to the public. The needle both mends and pricks. It is the sharp part of the needle that interests me. It disturbs you, particularly when repeated 10,000 times».
Safaa Erruas
Reflecting wounds and memories
The materials are also symbolic of the concrete and theoretical elements and the impact they possess physically and internally. Through her materials Erruas reflects on «the wounds on our memories». They are tools to reflect the universal, human, and individual scars as well as the information we receive and are deeply affected by as human beings through the news.
«I can believe that we can start something very private to communicate something very universal. This is what happens throughout the artwork. This is what allows us to communicate even if we aren't speaking the same language or aren't from the same culture».
Safaa Erruas
Erruas' art is influenced by her personal experiences, society, and the issues that concern us all as citizens of the world. Her work is not intended to represent things directly, but rather to express a feeling. For example, while many of her pieces are interpreted as depicting borders, Erruas asserts, «I'm not into direct representation, but I try to communicate this emotion associated with borders, and it's up to the viewers to decide what borders they are thinking of».
Despite not directly representing borders, Erruas states that borders «concern me as an artist, a citizen, and a human being».
Erruas uses art as a means of expressing herself and working through her emotions regarding issues that occupy her thoughts. It is a way for her to question and explore. The Tétouan-native artist is currently working on pieces concerning climate change; a topic that both «impacts and confuses» her.
Erruas often ponders why art's role in society is questioned, especially when it «has the potential to express people's feelings more than political speeches». As for the role of art in her personal life, «it allows me to continue growing. I don't just consider it my work; it's my life. Art isn't only a philosophy: it's an existence».


Cliquez ici pour lire l'article depuis sa source.