Zina Idhali reçoit le ministre conseiller de l'ambassade de Chine pour renforcer la coopération parlementaire entre le Maroc et la Chine    Maroc–Argentine : un choc amical de rêve... mais trop cher    Mohamed Ouahbi : « Nous voulons ramener la Coupe au Maroc »    Mondial U20 : le Maroc renverse la France en utilisant trois gardiens    L'Ouganda inaugure le premier hub Africain de l'IA    Chery décroche 5 étoiles au test de sécurité Euro NCAP    Massad Boulos : «Le Sahara est marocain et Trump y fera ouvrir bientôt un consulat américain»    Madagascar exclue de l'Union africaine    Le Tchad mise sur une justice équitable et efficace    Le Festival de Cinéma Méditerranéen de Tétouan dévoile sa sélection officielle    Le compositeur marocain Youssef Guezoum en lice pour les Grammy Awards 2025    BLS accelerates its build-up strategy through the integration of Transload    Aéronautique : la plateforme de Benslimane se dote d'un centre de maintenance    Programme Emergence : l'ACAPS accélère la transformation numérique    Diplomatie : Nasser Bourita reçu à Moscou par Sergueï Lavrov    Les températures attendues ce vendredi 17 octobre 2025    USA : Trump annonce qu'il compte rencontrer Poutine prochainement à Budapest    Le temps qu'il fera ce vendredi 17 octobre 2025    Avions militaires : MAM lance la construction d'un hangar de maintenance lourde à Benslimane    Yassine Bounou prolonge son contrat avec Al-Hilal jusqu'en 2028    HCP. La confiance des ménages s'essouffle au troisième trimestre    Le Maroc et la Russie d'accord sur le fait que le droit international ne peut être interprété pour entraver le règlement de la question du Sahara    Fútbol: Azzedine Ounahi saborea su renacimiento con el Girona FC    Shanghai simplifie ses services pour mieux accueillir les professionnels étrangers    Roma: La Agencia Marroquí de Cooperación Internacional reconocida por la FAO    Rabat et Moscou : un partenariat stratégique qui consacre le principe de souveraineté et d'intégrité territoriale des deux pays, et confirme la reconnaissance russe du Sahara marocain    La Russie salue le rôle de SM le Roi, Président du Comité Al-Qods, pour le règlement pacifique de la question palestinienne    Le nouvel ambassadeur des Etats-Unis au Maroc prête serment    Mondial U17 féminin : L'ambassadeur d'Espagne reçoit la Rojita dans sa résidence à Rabat    L'INPLCC suspend un marché suite aux soupçons de « Conflit d'intérêts »    GenZ 212 : Jusqu'à 15 ans de prison pour 17 accusés des émeutes à Ait Amira    Who are the three goalkeepers who marked Morocco's U20 World Cup semi-final?    France : Marion Maréchal devant la justice pour diffamation contre une école musulmane    Espagne : Au Parlement, les extrêmes s'allient contre l'accord Maroc–UE incluant le Sahara    De Tolstoï au Bolchoï : la Russie dévoile sa nouvelle saison culturelle à Rabat    Les températures attendues ce jeudi 16 octobre 2025    L'Uruguay vote une loi autorisant l'euthanasie, une première en Amérique latine    Exonérations sociales : L'arrêté n°1314.25, un tournant pour la protection sociale au Maroc    Les Lionceaux de l'Atlas en finale de la Coupe du Monde U-20 2025    Sous le Haut Patronage de S.M. le Roi, un opéra de la Fondation El Akademia Masterclass célèbre le cinquantenaire de la Marche Verte    Kebir Mustapha Ammi : « Il faut accepter que l'autre, fut-il notre adversaire, possède une part de vérité »    Météo : Averses orageuses localement fortes avec rafales de vent ce jeudi    Le Colonel Randrianirina prend les rênes de Madagascar    M.A.M : Une soirée inaugurale pour ranimer l'âme plurielle du Maroc en musique    N.A.M.E. : Un nouveau format d'événements voit le jour à Rabat    Mondial U20 / Maroc – France : Othmane Maâmma, le Rolando marocain, MVP !    Marwan Rahiki, l'éclair marocain qui frappe à la porte du sommet de l'UFC    De Béarn à la vallée de Kelâat M'gouna, Hafsa Chakibi suit les routes de la rose [Portrait]    







Merci d'avoir signalé!
Cette image sera automatiquement bloquée après qu'elle soit signalée par plusieurs personnes.



Safaa Erruas, the unique way in which a Moroccan artist voices feelings and emotions
Publié dans Yabiladi le 04 - 12 - 2019

Safaa Erruas is a globally recognized artist; known for her awe-inspiring installations and drawings that have earned her countless awards and praise. Erruas' inspiration stems from the personal as well as issues that concern all humanity; resulting in creations that are relevant and evoke deep reflection and emotion.
Growing up in Tétouan, a city vibrant with culture and home to the Fine Arts Institute of Tétouan, Erruas has spent her life surrounded by art. She recalls loving making crafts as a child and at the early age of seven, already being very methodical and having a sensitivity to materials.
At the age of fourteen, she began going to the Fine Arts Institute during her free time to learn about art history and drawing. When Erruas graduated high school, she began studying science and the University of Science in Tétouan. After quickly realizing that science wasn't her calling, she abandoned her studies at the university and to apply for the Fine Arts Institute. Erruas' time in art school shaped her as an artist. It led her to discover the means, medium, and method that she felt she could best express herself.

«When I was studying at the science university, I was receiving a lot of information, but it never felt like this information was just for me», she told Yabiladi. «With fine arts, it was completely different. Even if I didn't agree with what I was learning, it was still interesting for me because it helped me to know what I didn't like (…) I found my identity as an artist at the Fine Arts Institute».
The power of white
Right out of university, Erruas started working independently and participating in residencies and exhibitions around the globe. Her usage of the color white, as well as other distinct materials in her artwork, has attracted attention.
However, though the absence of color in her pieces has become a point of commentary, her reasoning is quite simple. «It's become very natural for me to work only with white. I don't want to complicate the situation», she explained. Erruas believes that white and its varying hues can convey the same feelings associated with other colors. «I don't force myself to remain working on white color. I may change. I feel free and comfortable with white right now. I don't need colors to express myself», she stated.
Erruas's work is also characterized by her usage of materials such as needles, razor blades, and fiberglass, which help her to communicate the feelings she hopes to evoke in her pieces.
«Elements take on a different dimension when we take them outside their function. Their value is different. There is a connotation of what is the function of needles and the feeling it communicates to the public. The needle both mends and pricks. It is the sharp part of the needle that interests me. It disturbs you, particularly when repeated 10,000 times».
Safaa Erruas
Reflecting wounds and memories
The materials are also symbolic of the concrete and theoretical elements and the impact they possess physically and internally. Through her materials Erruas reflects on «the wounds on our memories». They are tools to reflect the universal, human, and individual scars as well as the information we receive and are deeply affected by as human beings through the news.
«I can believe that we can start something very private to communicate something very universal. This is what happens throughout the artwork. This is what allows us to communicate even if we aren't speaking the same language or aren't from the same culture».
Safaa Erruas
Erruas' art is influenced by her personal experiences, society, and the issues that concern us all as citizens of the world. Her work is not intended to represent things directly, but rather to express a feeling. For example, while many of her pieces are interpreted as depicting borders, Erruas asserts, «I'm not into direct representation, but I try to communicate this emotion associated with borders, and it's up to the viewers to decide what borders they are thinking of».
Despite not directly representing borders, Erruas states that borders «concern me as an artist, a citizen, and a human being».
Erruas uses art as a means of expressing herself and working through her emotions regarding issues that occupy her thoughts. It is a way for her to question and explore. The Tétouan-native artist is currently working on pieces concerning climate change; a topic that both «impacts and confuses» her.
Erruas often ponders why art's role in society is questioned, especially when it «has the potential to express people's feelings more than political speeches». As for the role of art in her personal life, «it allows me to continue growing. I don't just consider it my work; it's my life. Art isn't only a philosophy: it's an existence».


Cliquez ici pour lire l'article depuis sa source.