Addis-Abeba : M. Akhannouch représente SM le Roi Mohammed VI au 39ème sommet de l'UA    Addis-Abeba: Le Maroc réitère son soutien au processus d'opérationnalisation de l'Agence Africaine du Médicament    IDARATI x.0 : la future méta-application qui rapprochera citoyens et administration    Rabat : Nouvelle étape dans la coopération institutionnelle entre le Maroc et le Tchad    Inondations au Maroc : feu vert progressif pour le retour des évacués    Stellantis Maroc et Attawfiq Microfinance s'allient pour faciliter l'accès à la mobilité électrique    Béni Mellal-Khénifra : le PIB régional au cœur du débat    AXA Assurance Maroc lance un numéro pour accompagner les clients impactés par les intempéries    Baitas: La société civile, un modèle de citoyenneté responsable et de défense des causes nationales    Benslimane: Réunion consultative sur la situation hydrique du bassin hydraulique du Bouregreg et de la Chaouia    Le Maroc, un acteur majeur dans la stratégie industrielle de Safran (responsable du Groupe)    Canada: Saisie de plus de 1.000 kg de drogues en Alberta    La Chine supprime les droits de douane pour 53 pays africains à compter du 1er mai 2026    Province de Guercif/INDH : 230 bénéficiaires d'une caravane médicale pluridisciplinaire    Une délégation de la Commission de l'économie du Parlement croate reçue à la Chambre des représentants    Transport aérien : Emirates annonce la fin de ses liaisons avec Alger pour 2027    Ukraine: les prochaines négociations se tiendront à Genève les 17 et 18 février    Amical Maroc–Équateur : lancement officiel de la billetterie    CasaRun : nouvelle édition, nouveau format    Football : la Superligue est morte, vive Al-Khelaïfi !    Belkchour met en garde les arbitres du championnat : intégrité absolue et tolérance zéro    Botola : Une lutte acharnée pour la tête du classement    Le Roi reçoit le président du Conseil d'Administration du Groupe Safran    Régulation des médicaments : Amine Tehraoui examine avec une responsable de l'OMS les moyens de renforcer le système national    Intempéries dans le Nord : les infrastructures mises à rude épreuve    Radiothérapie : l'Hôpital universitaire international Mohammed VI de Rabat inaugure une première mondiale hors de Chine    « Philosophies d'Afrique » : Rabat accueille la 11e édition des « Rendez-vous de la philosophie »    Khartoum retrouve sa place à l'IGAD    COMEX : Patrice Motsepe hausse le ton et exige un durcissement des règles    WAFCON 2026 : le Maroc maintenu, le boycott en préparation    Retaillau se lance dans la course à l'Elysée 2027... le « tombeur du régime algérien » affiche un soutien ferme à la souveraineté marocaine sur le Sahara    En application des Hautes Instructions Royales, le gouvernement déploie un programme d'aide et d'accompagnement des populations sinistrées par les inondations dans le nord et l'ouest du Royaume    Casablanca-Settat : SM le Roi préside la cérémonie de présentation et de lancement du projet de réalisation à Nouaceur d'une usine de production des trains d'atterrissage du groupe Safran    Comme en 2024, Rome écarte le Polisario du sommet Italie–Afrique    L'Italie peut-elle transformer ses ambitions africaines en projets concrets ?    Cambridge restitue 116 trésors du Bénin au Nigeria    Morocco's ancient Igoudar at risk as severe weather worsens damage    Murcia se ve sacudida por un caso de secuestro de una marroquí    Le Marocain secouru par un navire écossais tentait de rallier Ceuta    GenZ in Morocco: Zineb El Kharroubi's trial set for February 26 in Casablanca    Bryan Adams se produit au Maroc avec «The Bare Bones Show»    Ramadan sur Tamazight : La fiction et le documentaire s'invitent sur la chaîne amazighe    Achraf Hakimi de retour : l'heure de la relance face à Rennes    Moroccan–Croatian Economic Forum Lays the Groundwork for Strategic Multi-Sector and Trans-Mediterranean Partnerships    Info en images. UNESCO : «L'artisanat marocain» célébré à Paris comme patrimoine vivant «en mouvement»    Berlinale 2026 : Le cinéma marocain sous les projecteurs à l'European Film Market    Une chanteuse namibienne entre dans le catalogue mondial de Sony Music    Dakar Restaurant Week 2026 : la capitale sénégalaise célèbre la gastronomie    







Merci d'avoir signalé!
Cette image sera automatiquement bloquée après qu'elle soit signalée par plusieurs personnes.



Safaa Erruas, the unique way in which a Moroccan artist voices feelings and emotions
Publié dans Yabiladi le 04 - 12 - 2019

Safaa Erruas is a globally recognized artist; known for her awe-inspiring installations and drawings that have earned her countless awards and praise. Erruas' inspiration stems from the personal as well as issues that concern all humanity; resulting in creations that are relevant and evoke deep reflection and emotion.
Growing up in Tétouan, a city vibrant with culture and home to the Fine Arts Institute of Tétouan, Erruas has spent her life surrounded by art. She recalls loving making crafts as a child and at the early age of seven, already being very methodical and having a sensitivity to materials.
At the age of fourteen, she began going to the Fine Arts Institute during her free time to learn about art history and drawing. When Erruas graduated high school, she began studying science and the University of Science in Tétouan. After quickly realizing that science wasn't her calling, she abandoned her studies at the university and to apply for the Fine Arts Institute. Erruas' time in art school shaped her as an artist. It led her to discover the means, medium, and method that she felt she could best express herself.

«When I was studying at the science university, I was receiving a lot of information, but it never felt like this information was just for me», she told Yabiladi. «With fine arts, it was completely different. Even if I didn't agree with what I was learning, it was still interesting for me because it helped me to know what I didn't like (…) I found my identity as an artist at the Fine Arts Institute».
The power of white
Right out of university, Erruas started working independently and participating in residencies and exhibitions around the globe. Her usage of the color white, as well as other distinct materials in her artwork, has attracted attention.
However, though the absence of color in her pieces has become a point of commentary, her reasoning is quite simple. «It's become very natural for me to work only with white. I don't want to complicate the situation», she explained. Erruas believes that white and its varying hues can convey the same feelings associated with other colors. «I don't force myself to remain working on white color. I may change. I feel free and comfortable with white right now. I don't need colors to express myself», she stated.
Erruas's work is also characterized by her usage of materials such as needles, razor blades, and fiberglass, which help her to communicate the feelings she hopes to evoke in her pieces.
«Elements take on a different dimension when we take them outside their function. Their value is different. There is a connotation of what is the function of needles and the feeling it communicates to the public. The needle both mends and pricks. It is the sharp part of the needle that interests me. It disturbs you, particularly when repeated 10,000 times».
Safaa Erruas
Reflecting wounds and memories
The materials are also symbolic of the concrete and theoretical elements and the impact they possess physically and internally. Through her materials Erruas reflects on «the wounds on our memories». They are tools to reflect the universal, human, and individual scars as well as the information we receive and are deeply affected by as human beings through the news.
«I can believe that we can start something very private to communicate something very universal. This is what happens throughout the artwork. This is what allows us to communicate even if we aren't speaking the same language or aren't from the same culture».
Safaa Erruas
Erruas' art is influenced by her personal experiences, society, and the issues that concern us all as citizens of the world. Her work is not intended to represent things directly, but rather to express a feeling. For example, while many of her pieces are interpreted as depicting borders, Erruas asserts, «I'm not into direct representation, but I try to communicate this emotion associated with borders, and it's up to the viewers to decide what borders they are thinking of».
Despite not directly representing borders, Erruas states that borders «concern me as an artist, a citizen, and a human being».
Erruas uses art as a means of expressing herself and working through her emotions regarding issues that occupy her thoughts. It is a way for her to question and explore. The Tétouan-native artist is currently working on pieces concerning climate change; a topic that both «impacts and confuses» her.
Erruas often ponders why art's role in society is questioned, especially when it «has the potential to express people's feelings more than political speeches». As for the role of art in her personal life, «it allows me to continue growing. I don't just consider it my work; it's my life. Art isn't only a philosophy: it's an existence».


Cliquez ici pour lire l'article depuis sa source.